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Mamoru Hosoda, one of the contemporary Japanese anime directors, frequently follows certain patterns in his feature-length anime films. Serves as really great reactionary technophobia with family being the central component Really creative when it comes to the digital domain even if it does get convoluted with all its technical jargon Real-world drama and virtual dynamics still work hand-in-hand watching this whole unit of people work together and get past their petty issues The family aspect is good but I was more engaged with the digital realm, maybe because the filmmakers can't keep their plot in a single straightforward narrative It definitely brought me back to 'Digimon: The Movie' with the fate of the internet being in jeopardy
#Summer wars full movie dub movie#
This movie does have real-world applications since a cyber attack is possible messing with all of our conveniences and reliance on digital safety measures The real problem with putting privileges online is that it's easier and people assume it's safe but it's also hackable
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Plus the chaos this AI is causing from traffic systems to emergency services to communications to utilities to technical issues to transportation is scary The digital world looks incredible combining hand drawn animation with CGI, the avatars are very distinct, the environments look incredible Kenji has to figure out a way to shut it down while also keeping Netsuki's family's composure together Then to complicate things an ultimate evil artificial intelligence is born inside Oz affecting the real world to the point of nuclear destruction They can choose any avatar they wish from animals to warriors, set up their residences, handle finances, play video games, listen to music, watch movies and so forthĪ high school maintenance checker/math genius Kenji for Oz volunteers to help a girl Netsuki.little does he know that she wants him to pose as his fiancé for her family Welcome to Oz: a virtual world where any online users can interact and battle each other In addition to Belle, the company also plans to release Inu-Oh, the latest work from Keep Your Hands Off Eizouken! director Masaaki Yuasa, and Production IG's The Deer King in 2022.īelle was released in Japanese theaters earlier this year under the title Ryu to Sobakasu no Hime (literally translated "The Dragon and the Princess of Freckles.") The movie was well received by Japanese audiences and critics, and is currently the third highest grossing movie of the year in the country, ranking just behind the much-hyped finale of the Neon Genesis Evangelion series, Evangelion 3.0 +1.0 Thrice Upon A Time, and the latest theatrical feature in the long-running Detective Conan franchise.A summer that's full of love, family, computer games, and even war between relatives next to the fate of the world
The company is known for distributing many of Studio Ghibli's movies in the west, and has also facilitated the theatrical release of several other lauded anime movies, including Studio Trigger's Promare and Makoto Shinkai's Weathering With You.
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GKIDS is a film distribution company that has made a name for itself by providing international releases for some of Japan's most critically acclaimed anime series and movies. RELATED: Neon Genesis Evangelion Series, Movies Now Available As Digital Downloads While Suzu struggles with expressing herself in person, in the virtual online world of U, she adopts the persona of Belle, an internationally famous singer who routinely performs in front of an audience of billions. Hosoda's newest film revisits many of the themes the director first explored in Digimon and Summer Wars. The movie centers on Suzu Naito, a teenage girl who dreams of becoming a famous singer, but is held back by her shyness and trauma over her mother's death. Hosoda began his career in the 1990s at Toei Animation, where he worked on the Digimon and One Piece franchises.
Prior to Mirai, Hosoda directed a number of similarly critically acclaimed animated movies, including 2006's The Girl Who Leapt Through Time and 2009's Summer Wars. Belle made its international premiere earlier this year the Cannes Film Festival, where the movie received a 14 minute standing ovation. The film is the latest work by Hosoda, whose previous film, 2018's Mirai, was nominated for an Academy Award for Best Animated Film.
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